Posts Tagged ‘dj filthy rich’

Strange weekend.

Saturday, May 30th, 2009

This weekend has been strange. First of all the Magic lost in Cleveland….bummer. They can and will beat them tonight at home. It almost feels like they were supposed to lose away so the fans could celebrate a game 6 victory at home. That’s a special day that will bring the small city of Orlando together.

Last night, for the first time I can remember in a long time I did something very very spontaneous and completely out of comfort zone. I can’t explain right now but I will post more next week.

Nothing much has been happening in the music world hence the lack of posts recently.

I wish I had something exciting to report about www.yesmaterecordings.com or about the music biz but I don’t. Maybe next week.

Till then…

- Dave

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mp3 vs vinyl…who wins?

Friday, May 15th, 2009

Recently I have been asked why is Yes Mate not releasing any vinyl so I thought I would address this issue here.

I honestly never thought the domsetic vinyl industry would dry up like it has but I suppose technology has taken over. This really is a shame.

Why would a DJ pay $10 – $20 for 1 or 2 tracks on vinyl when they can get the same songs for a buck on Itunes or worse, download it for free. I don’t have an answer to this but me personally, I wish vinyl was still a force. There’s nothing like playing records when your DJ’ing and when I play from cd’s I feel empty because to me visually, my performance is lacking.

I suppose I’m an old skool guy who is a bit stuck in his ways, but nothing has the warm analog sound of vinyl.

So why has the US vinyl market dried up?

Well here’s the problem from a record labels perspective:

Vinyl manufacturing is a royal pain in the bum and I would rather be writing music that on the phone dealing with the vinyl manufacturing plants. I can’t think of a time when I was manufacturing vinyl that I didn’t run into some sort of problem. Problems such as:

- finished product taking 6 months to arrive
- warped records that were accidentally shrink wrapped
- skipping records
- poor audio quality
- someone elses song on the B side

(Ask me how I know these things)

On top of this, vinyl is a loss when it comes to $$. It is hard to break even so labels look at vinyl as a promotional tool. They can get the same types of promotion with MP3’s now…

or can they….??

MP3’s have presented labels with another problem. Before mp3’s were available, labels like Yes Mate were able to release vinyl that was relatively easy to find in the record stores.  There weren’t 1,000’s of new vinyl releases on the shelves every week because most people didn’t want to invest the time and money it takes to release a vinyl record only to sell 50 copies. Domestically, if there were 10 new breakbeat records a week, that was a good amount. In comparison, take a look at Beatport.com’s on any given day. You see 1,000’s of new songs because anyone who access to a copy of Fruity Loops and a PC can realase an MP3 on a website like Beatport. The labels don’t lose a dime if the song doesn’t sell. This leaves established labels fighting to get a promotional banner on the front page of Beatport just so people will know they have a new release. If the labels don’t get featured on the top 100 or worse the Top 20, it’s hard to find their tracks. This means many great songs are lost in the 1,000’s of new releases that come out each day.

So mp3 sites are a double edge sword. On the one hand it gives anyone a chance to get their music out there but on the flip side, it makes it so hard to find great songs because they get lost in the piles and piles of new releases.

Licensing has become another victim of technology. In past times, independent labels used to receive income for other DJ’s and labels licensing songs for use on compliation cd’s. Since the cd market is on its way out of favor, licensing income is becoming harder to find. Most major labels are manufacturing less and less cd’s. I believe in 5 years, cd’s will suffer they same death as cassettes. Cars won’t have cd players, rather docks for Ipods and hard drives to store music. Streaming internet will become a fixture in cars so you will be able to get live internet radio in your car before long.

Despite all these issues, we will be releasing some vinyl in the future. we just have to muster up enough patience to go through the motions and deal with the problems that are inherent to vinyl manufacturing.

I really wish a company could come along and figure out a way to get vinyl manufacturing right but I know this won’t happen because vinyl is on its way to a shallow grave plus there is just no money in this type of manufacturing. I hope I’m wrong about this, but just like cassette tapes, technology is going 12 rounds with vinyl and it won’t go to the scorecards.

- Till next time

Dave

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Ableton Live 8 Update

Thursday, April 30th, 2009

I have been fiddling about with Live after having a horrendous time trying to sync it up as a slave to Logic 8. Seems like the “8′’s” are male dominants battling for master supremacy; Live doesn’t like being the slave.

With the help of Ray & Maltais from Dr’s of Rhythm, I finally got the 2 programs syncng correctly.

I think that Live will definitely speed up the studio work flow. Auditioning sounds is so much quicker with Live, you just go from kik to kik until you find one that sounds good in your mix. No more having to preload sounds.

Other than that, I don’t know how much Live 8 has really been upgraded from version 7. It seems like these music making programs have 1001 too many things I never use. Maybe I just don’t have enough time to read through the 600 page manual. Manuals are for techies, I just want to make music.

All in all I think Live 8 is a pretty cool program and I’m interested in getting a little deeper with it.

I’ll keep you updated.

Till next time..

- Dave

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Filthy Rich interview with LMFAO

Tuesday, April 28th, 2009
It’s been two years since LMFAO released the Winter Music Conference’s unofficial theme song, “I’m in Miami, Bitch!”.

The proud parents of this dancefloor anthem are Red Foo and Sky Blu, the uncle/nephew team hailing from L.A. who have taken the world by storm with their unique style of electro hip-hop.

In addition to producing club bangers, they’ve been working on multiple clothing lines, a movie, signature liquor, a hot sauce, and anything else they can stamp their moniker on.

Unofficial remixes of Kanye West, Katy Perry, and Fergie have cemented a fan base that is salivating for more. Beatportal sat down with LMFAO before the WMC record release party to find out more.

We’re in Orlando, bitch! Your pre-WMC Record Release party is tonight at Blue Martini. Tell us about the album.

The ‘Party Rock’ album is designed for the party. It might even inspire a non-party person to want to go out and party, like a gateway drug!

You might get introduced to electro through our sound and then you can go deeper from there. We have a tentative release date in May around Memorial Day. This will give us time to work on some things and experience more of the “party rock life”.

The more we tour, the more we refine the art of partying.

You seem to have mastered your craft. Between the booze-fueled escapades what are you working on?

We did a mix for Chris Cornell. We’re working of remixes of U2, Pussy Cat Dolls, and a lot of stuff for Interscope.

We have an idea for our material. Instead of paying tens of thousands of dollars on a remix that is just okay, why not have a remix competition and have thousands of submissions from kids that are just getting started? Their track could be featured on our album.

Now that’s community service. Please tell your fans what the LMFAO lab consists of.

We do everything on Mac laptops. Ableton son! Get us on the board. I mean, I could tell ‘em a million things that they could do like new swing templates and automation in the parts.

We’re using all soft-synths. The reason our sound is different is because we make our sounds starting from a sine wave.

So no presets?

No presets. Well, maybe a couple. But we don’t like that. (Ableton) Operator, all the way man. Like the bass in ‘Miami’, Operator. ‘Lil Hipster Girl’, Operator. All Operator with a lot of side-chaining. You can make a kick in Operator.

You can make an 808 if you filter it right and do a couple other things. That type of stuff is exciting, when you can make the sound.

When you sample you don’t know how something is made and you don’t have that power. Sampling is like plagiarizing.

You can’t take everybody’s jokes and write a paragraph from it. When you create the music you have the confidence to keep creating. Some producers fall off because they have just been sampling.

Then when someone doesn’t want to pay for their samples or when James Brown is not cool anymore then what are they gonna do?

You gave a tip once that said to record live hand claps in mono and then layer them in a track. Any more LMFAO production tips?

There’s an old trick from R&B that uses a reverse-snare echo.

‘Put Your Hands Up For Detroit’ uses this, for example. You take the snare and clap that you’re working with and put a big echo on it. Export that. You resample and reverse it.

So your “khhaaaa” sound becomes “aaaahhk”.

You can find a reverse snare on sample CDs but it won’t sound like this. We’re doing this now in all of our songs.

Good stuff. For those who haven’t been lucky enough to experience an LMFAO show in person, what can they expect?

You’re going to see polka-dot bikini girls. You’re going to see a lot of girls. The ratio of girls to dudes is crazy. They’re going to be sexually charged.

Everybody gets laid more at an LMFAO show, whether they know us or not. There’s a lot of sex in the air. It’s probably our pelvic thrusting.

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Yes Mate gives birth to Live 8

Monday, April 27th, 2009

Sunday was a good day here at the Yes Mate Recordings offices located deep in the basement of a castle in Bavaria. Why was it a good day? Filthy Rich & Drs. of Rhythm long time Yes Mate friend Dave Maltais, delivered a brand spanking new copy of Ableton Live 8. I cannot believe they flew 4,000 miles to do this; what good friends!

I haven’t really worked with Live and I don’t intend to use it to sequence anything. Where I do see its benefits is for the very simple yet grossly time consuming act of auditioning samples within a track in progress.

In Logic Pro, in order to hear what a kick or snare sounds like within a song, you either have to drop it into the track and line the sample up where you want it to play, or load it into the onboard esx24 sampler by way of creating an instrument. Very time consuming. There are other ways to do this mundane task but each way seems very very slow. I believe it is one of the reasons we aren’t able to crank out 100 tunes a year (it’s not for lack of trying).  It simply saves you the hassle of having to load up all these sounds.

I believe Live will speed up our production time 10 fold.

Now if I could just figure out this Rewire…..

Till next time…

 - Dave

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Friday DJ Stories…Vancouver

Friday, April 24th, 2009

People who know me might sayI used to be a little, well, forgetful. I like to call it “over-organized”, just too much stuff on the brain. Back in the olden days before Iphones and PDA’s, we had to rely on the good old brain and a Filofax to keep our DJ’ing schedules maintained.

Unfortunately, I didn’t own a Filofax. I always thought they were for Yuppies and I didn’t want to be branded as such. That left me relying on my brain to keep everything organized….not such a good idea.

Before I share this story, please understand I have never missed a DJ show in 14 years .

I can remember the day vividly. I was laying in bed at 10 am on a Friday morning, dreaming about being a superstar DJ and rocking the best clubs in the world when my slumber was rudely interrupted by a cell phone call.

This is how the conversation went:

Dave: “Hello”  (Slurring because I had gone to bed at 9am after a long night in the studio)

Azim: “Morning, it’s Azim, promoter in Vancouver….are you ready for the big show?”

Dave: “Of course Azim, excited as always…I’ll see you tomorrow”

Azim: “Um…no, you’re supposed to be at the airport now, the show is tonight, did you forget?”

Dave: “uhhh, no of course not, I never forget a show…actually I’m sitting at the gate right now, the new issue of People Magazine had me distracted”

Azim: “umm, it sounds very quite at the airport, are you still in bed? I thought I just heard a pillow fall….?

Dave: “don’t be silly Azim, Im raring to go”

Azim: “ok, so I’ll see you at the airport in a few hours, have a safe trip”

Dave: “ok, see you soon”

*click*

Dave: “sh*t, F&*$, &#&,  b*$!llocks”

Now, ordinarily this situation wouldn’t have been a problem, but, the promoter had booked my air ticket out of Orlando, and I was in Tampa. That’s a big problem.

Not good.

It was 10am and I had to catch a 1pm flight. Tampa is 1hr 30min drive  to Orlando; ok, I can make this flight.

So I jumped out of bed,  threw on some clothes, grabbed my record bag and jumped in my car. This wasn’t so bad, I can speed to Tampa, jump on the plane and everything will be fine.

As I’m driving down the highway, I’m recalling that my record bag seemed unusually light when I threw it on the back seat. Either I’m getting stronger or something is up.

I grabbed my bag from the back seat, look inside…4 records and a pair of headphones. This isn’ going well at all.

No problem, I’ll just stop at a record store and buy some vinyl, yeah!

Who was I kidding?

Then the traffic jam on I-4 hits me. For those people who live in Central Florida, you know this scenario well. I-4 is a terrible road to travel on. There is always an accident or construction.

At this point, I’m cursing at myself for not owning a Filofax and I promised myself one as soon I returned home. I didn’t care if people did call me a Yuppie, I was going to be an organized Yuppie!

While sitting in traffic for almost 40 mins, I called the airline to see what my options were for later flights but the times didn”t work for my schedule. I had to make the 1pm flight. The only saving grace was Vancouver is 5 hours behind Eastern time.

Next I called a friend and asked him to meet me on the side of I-4 so he could take my car and drop me at the airport. At least that way I didn’t have to worry about parking. Thankfully my friend was able to do this.

I eventually arrived at the airport at 12.20pm, jumped out the car, checked in and ran to the gate. As I’m running to the gate I hear my name being paged on the intercom, telling me to get on the plane or its leaving without me…great.

I HATE being the last person on the flight because you always get those filthy looks from people who think you are delaying the flight. Of course I get the obligatory middle seat next to two rather large men (one was grossly obese). For the next 2 hours my head jolted forward as I tried to fall asleep but it was no use. One of the plump non DJ’s next to me was snoring up a storm, so sleep was useless. Of course I had forgotten my cd player (don’t laugh, we didn’t have Ipods back then!) and the headphone jack in my seat was broken. No inflight music for me. I looked in seat back and what do I see? Elle magazine. Next the stewardess comes around with the drink cart…starving from not having eaten in 8 hours, i ask for peanuts. Of course there aren’t any peanuts,. Apparently they had forgotten to stock the plane wwith snacks before it departed…..This was turning out to be a fun day and we hadn’t even started yet.

Finally after two torturous hours of sitting next to Sir Snore Alot, th eplane touched down in Chicago. I can remember looking out the window thinking, hmm that looks like alot of snow. Yep, we flew into the beginning of a snowstorm….

So here I was, stuck in the beginning of  a snowstorm, 4 records to play, no change of clothes (did I mention I forgot to bring anything other than my wallet?), running on 3 hours of sleep. Oh the glamorous life of a travelling DJ.

More to come on Monday!

Till next time

- Dave

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Answering Email Today….Music Making Software….Which One To Choose?

Thursday, April 23rd, 2009

I receive many emails asking zany questions about music production, DJ’ing, and about how the Yes Mate offices came to be located in the basement of a medieval castle in the mountains of Bavaria.

Today I decided to post one of these emails and give my 2 cents worth.

“Dave, I want get into music production and aspire to have my music released on your label, can you recommend a good software program to get me started?” – Garry D. Indianapolis, IN. USA.

Well Gary from Indiana, I can only speak from experience and this is only my humble opinion so take what you want and leave the rest.

I haven’t used a PC to make music in years. I switched to a Mac from Cakewalk because Cakewalk had a mind of its own when syncing hardware sytnhs via Midi. It used to be so frustrating hearing one or two notes that would hit a milli second of beat during the recording of a song. After enduring years of this production torture, I bit the bullet and plonked down some serious money for a Mac G4 running Logic Pro version 5.

The learning curve swtiching from PC to Mac was pretty steep but well worthit. Everything synched perfectly and production became enjoyable again.

I know many people who are using a combination of both Logic & Ableton Live now which I would imagine is a good pairing. Logic does have the disadvantage of a steep learning curve but it editing and mixing functions are 5 star.

I’m not a big fan of Acid or Fruity Loops but that’s just me.

I have always been one to buy what I need from the start rather than buying something cheap and upgrading when I grow out of it. It works out to be more expensive the second way.

So my ideal production set up would be Mac G5 running Logic 8 alongside Ableton Live 8.

Till next time

- Dave

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Technology…has it really helped?

Wednesday, April 22nd, 2009

In one of my recent posts I explained the traumatic process of manufacturing a vinyl record. Today I am preparing some new Yes Mate digital releases and realized what a cumbersome process this is. Has this massive leap of technology we have seen in the last 10 years helped or hindered record labels?

Yes, record were a pain to manufacture, but mp3’s are becoming equally difficult to manage. The problem is that each mp3 site has different rules as to how the songs must be presented. For instance, Itunes requires each song has it’s own UPC barcode. Beatport requires metadata spreadsheet forms to be filled out. You see where I’m going with this? Let’s say you attempt to put your music on 100 different sites, you could spend days trying to prepare the songs correctly so the mp3 sites will accept them. God forbid you upload the data or the songs in the wrong way; some sites reject the submission so you have to start from the beginning.

There are some electronic distributors who will upload all your music to different websites but the problem is, each distributor covers different music sites. Some don’t have opt out choices so if two different distributors sumbit to overlapping websites and it’s an all or nothing affair, you have serious issues.

Of course obvious benefits have been realized from the technological onslaught. Now we can present our music via the web and reach ears we would have never reached before.

So now instead of spending hours battling the vinyl plants, I spend hours preparing mp3’s for release. Recording, artwork, paperwork, accounting…the list goes on…(but I still love doing it).

Occasionally I have time to sleep.

Technology has reduced the amount of downtime we have. Our cell phones are attached to our hips now. If someone calls and you don’t answer, they feel offended because they KNOW you have your cell phone next to you. When we leave the house without our phones, we HAVE to turn the car around to go fetch. 

How did we ever manage 10 years ago?

Thought this blog would give you an insight into the inner workings of a record label so I hope you enjoy,

Till next time
- Dave

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Filthy Rich interview with DJ Krafty Kuts from WMC 2009

Tuesday, April 21st, 2009

What’s the word breakbeat fans. I had the chance to interview the kraftiest DJ on the breakbeat circuit DJ Krafty Kuts at the Winter Music Conference this year. Below is the interview…enjoy!

- Filth

Breakbeat heavyweight and consummate taste-maker Krafty Kuts took a moment to chat with Beatportal before his headlining set at Deekline’s WMC Booty Breaks shakefest.

Filthy: How is WMC treating you so far?

I’m starting to lose my voice which means it’s a good time. The parties are rocking really good. What I love about Miami is the fact that you get to see loads of people you don’t get to see.

All the DJs, all the promoters, all the agents together. It’s quite fun seeing those that don’t like each other mingling together. It’s brilliant. Miami has a certain vibe that you don’t find anywhere else in the world.

Filthy: What are you working on at the moment?

I’m trying to finish my new album, which has been quite difficult with the touring and doing remixes. I’m about 3/4 of the way through just awaiting some vocal bits.

I’m working with Sporty-O from Chicago, Dynamite MC, Ashley Slater, and a few special guests that I can’t say until we’re signed, sealed, delivered.

This is a step forward for me, kind of a future thinking album. It’s quite musical and song-based. It’s got elements of everything that I’m into; elements of hip-hop, electro, Latin funk, disco, rap, and hopefully I’ve perfected the sound.

I’m looking to finish the album in April with a release in August or September.

Filthy: Any singles for us to watch for?

I’ve got a couple of remixes that I’ve done for InStereo Recordings. One of Tim Healey and Marc Adamo’s ‘Ghetto Blaster’ as well as DJ Dan’s ‘N20’.

I’ve also got one on Beatport which is the Twocker remix on illeven:eleven, a remix of Deekline’s ‘Back Off’ on Against the Grain, and a couple of rerubs I’m working on. It’s quite a busy time at the moment.

Filthy: For all of the up and coming producers out there, can you give us a peek into Krafty Kuts’ studio?

I work on Mac with Cubase for my production. I work on ProTools with A-Skills. ProTools is great for those fat, funky sounds.

Cubase is really good for dance music; it’s what I have worked with since the beginning. There are so many really great plug-ins that you can get.

The Albino, Massive, there are so many. Each one has its unique sounds. There are sounds on the Albino 2 that are not on the Albino 3, you have to work hard to find what each can do. I’m always trying to find sounds that you haven’t heard before.

I’ve just got a great Yamaha rack mount synth, can’t recall the model at the moment. It’s got a lot of old school 80’s-inspired sounds. You’ll hear the influence on my album. The 80’s sound is the next big thing.

Filthy: What are your big tunes that you’ll be dropping this WMC?

The Proxy ‘Raven’ which is a really good tune from Russia. Also a remix of Kings of Leon ‘Use Somebody’ by Deekline, it’s so good!

I’ve got a couple of rerubs that I’ve done. One of Busta Rhymes ‘Dangerous’ with a big wobbly bassline. Another one of Jay-Z. I’ve got a load of big, bassy club tunes. So it goes!

Look for the new album on Against the Grain as well as other upcoming singles on Beatport.com.

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Friday DJ Stories…

Friday, April 17th, 2009

Life on the road as a DJ has placed me in some memorable and sometimes comical situations. Sometimes gigs can be full of people and sometimes they can be a complete bust. That’s the fun of being part of a business where you face the unknown every time you play an event.

One of my fond memories  brings me back to early 2001. I can’t remember the name of the club but I recall it was somewhere in Alabama. The show was a complete bust due to horrible weather. It was during hurricane season and a nasty storm was dumping inches of rain everywhere in the south. Needless to say people didn’t feel like venturing out that night.

So picture this….me, 2 club security guys, 1 bartender, my girlfriend and a chihuahua sat on the bar. Yep you read correctly! The club was owned by a really nice Mexican couple and what sort of dogs do all Mexicans own, chihuahuas! (just kidding with the stereotype).

Each time I would play a new record the dog would dance around on the bar…it was the funniest thing I have seen inside a night club.

I certainly had fun playing an exclusive set for the dog and I’m glad Paco the chihuahua got his monies worth :)

Sometimes you just have to make the best of the situations you are placed in.

 

Till next time…
- Dave

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